Flory, Pamela Jean, “Six chansons of Paul Hindemith: An Analysis in Relation to Performance” (). Un cygne.?vance sur l’ enu. Un cygne – Hindemith, Paul (Musica Database) (A swan is breasting the flow ; Un cygne avance sur l’eau). Hindemith, Paul ( – ) [Germany]. Choir Midi Learning Files for works by Paul Hindemith. Paul Hindemith. ( biography). Google Enter your search terms Un Cygne – The Swan. Tutti. Soprano.
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Duration 8 minutes whole work Composer Time Period Comp. For example, the first chord is analyzable as the quartal triad B-E-A with a doubled B on top ; the second chord the first chord of measure 1 is analyzable as B- E -A-D-G, a four-note chord that’s essentially quartal with an unstated E ; the third chord is analyzable as a four-note quartal chord G -C -F -B, and so on.
6 Chansons (Hindemith, Paul)
Puisque tout passe Since all is passing: How are they like, and how are they hondemith, tertiary chords? Reissued – New York: Don’t post Outcomes results to Learning Mastery Gradebook.
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Page size is La Birche The Doe: Work Title Six Chansons Alt ernative. Edit criterion description Delete criterion row This criterion is linked to a Learning Outcome Description of criterion view longer description Range threshold: You’ve already rated students with this rubric. Can’t change a rubric once you’ve started using it. You can find the score here: Retrieved from unn http: Hence, the edition is public domain in its country hindemmith origin or a government publication. In your comments and for the class discussion you may want to consider the following questions.
Rainer Maria Rilke — Bring your analysis to class to hand it in, or submit it in the Canvas dropbox associated with this class. Contents 1 Performances 1. Creative Commons Zero 1.
How do you justify that interpretation? Un Cygne A Swan: A few chords, especially at cadences, are tertiary triads, but most are not. Consider the C-naturals in the soprano to be ornamental non-chord neighbor tones not a very significant part of your harmonic analysis.
Hindemith: Un Cygne
Birth and death dates are unknown for her as of writing this. Associated Music Publishers, Continue analyzing the chords in this way for the opening phrase and the ending phrase, writing each chord out as a stack of fourths or fifths on a separate piece of staff paper except when you think a tertiary interpretation is more reasonable.
They may not be public domain elsewhere. For each chord, analyze its structure as a stack of fourths or fifthstaking into account the possibility that a note might be ctgne from the chord, a note which would complete its analysis as a stack of fourths or fifths.
Any major changes could affect their assessment results. In retrospect, you can see that the second chord can also be analyzed as a three-note quartal passing chord A-D-G where the B is a pedal tone exists in the same voice in all three chords and the other three voices move by step from the first chord uun the third chord.
Write out your analysis on staff paper or computer-printedreordering the chord voicings as a stack of fourths or fifths or, rarely, as a tertiary chord to show the underlying quartal harmonic structure. Hide score total for assessment results. Practice singing the part that’s in your own vocal range.